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has anyone here seen Kristie?
Quite a few years ago I published in the late, much lamented magazine The Third Alternative a fantasy novelette called "Has Anyone Here Seen Kristie?" Some of its readers loved it, some of them hated it (too erotic), a couple said it was "a great Edinburgh story" (which filled me with joy), and so on. I've always loved it, because it seemed to me a good portrayal of a man, filled with guilt that it might have been his own shallowness that caused the suicide of his first wife, finally learning how to absolve himself and carry on living.
You know, typical Grant angst. But with lots of rude bits.
Anyway, Keith Brooke at Infinity Plus Ebooks is starting up a line called Infinity Plus Singles, epublications of single longish stories designed to appeal to the emerging Lunchbreak Market -- i.e., readers who want to find something they can download for 99c to read in their lunchbreak. I'm lucky enough that he's asked for three of my stories to be in his launch package; other authors who've so far signed up include Kit Reed, Neil Williamson, Anna Tambour and Sarah Ash, so I feel (a) that I'm in heady company and (b) that should this venture fail it'll probably be because of the weak link in the chain -- i.e., moi.
Today Keith sent through a couple of cover roughs, and I'm thrilled as can be about them. Here's the one for "Kristie":
Natty, huh? It has a sort of Faber & Faber coolness to it. All of the Infinity Plus Singles are apparently to have this same basic design. I think this endeavour shows every possible promise.
You know, typical Grant angst. But with lots of rude bits.
Anyway, Keith Brooke at Infinity Plus Ebooks is starting up a line called Infinity Plus Singles, epublications of single longish stories designed to appeal to the emerging Lunchbreak Market -- i.e., readers who want to find something they can download for 99c to read in their lunchbreak. I'm lucky enough that he's asked for three of my stories to be in his launch package; other authors who've so far signed up include Kit Reed, Neil Williamson, Anna Tambour and Sarah Ash, so I feel (a) that I'm in heady company and (b) that should this venture fail it'll probably be because of the weak link in the chain -- i.e., moi.
Today Keith sent through a couple of cover roughs, and I'm thrilled as can be about them. Here's the one for "Kristie":
Natty, huh? It has a sort of Faber & Faber coolness to it. All of the Infinity Plus Singles are apparently to have this same basic design. I think this endeavour shows every possible promise.
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Thanks, dearest JM.
I thought the review line was a wonderful (and very accurate if flattering!) description.
xx
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Well, I'm not sure I'd go that far . . .
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I know. Nice to see that Keith's going for an up-market design approach for these.
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Faber & Faber coolness? Hmm. Are you really T.S. Eliot? Can the truth now be told?
No. It's just that I'm trying to become Fabber and Fabber.